Corporate Video Production
Brand films, culture pieces, internal comms and campaign content for businesses and organisations that need to explain themselves clearly.
What we do
Ten service lines, grouped by how they are usually booked. Most projects combine two or three: one crew, one look, one set of deliverables.
Everything shot as moving image, from a single testimonial to a full campaign.
Brand films, culture pieces, internal comms and campaign content for businesses and organisations that need to explain themselves clearly.
Advertising and promotional work built for a specific channel and a specific audience, delivered in every cut and ratio the campaign needs.
Conferences, festivals, launches and activations covered as they happen, with fast-turnaround edits when the marketing team needs them the same week.
Property and destination films that sell the feeling of a place, shot around light and season rather than a facilities checklist.
Cinematic wedding films shot unobtrusively, with properly recorded vows and speeches and an edit that plays like a memory.
Testimonials, leadership pieces and case-study interviews, set up so the person in front of the camera sounds like themselves.
Stills captured alongside film work, or booked on their own.
Headshots, workplace, product and event stills, captured alongside film work so the whole set shares one look.
Lookbook, campaign and editorial photography for brands, designers and agencies, on location or in studio.
Capability that gets added to a production, or supplied to other producers.
Aerial work flown under a SACAA RPAS Operator Certificate (ROC): legal, insured, and used as part of a story, not as a showreel.
Edit, grade and delivery for agencies and producers working from their own footage, including social cutdowns and versioning.
Drone & aerial
Commercial drone work in South Africa is regulated aviation, and all Red Lens Media aerial work is flown under a SACAA RPAS Operator Certificate. The full story of what we fly, and why the licence matters to you, has its own page.
How it runs
What the content is for, who it needs to reach, and what it has to do once it lands.
A written treatment and a fixed quote: shoot days, crew, kit, deliverables and dates.
Shoot days run to a schedule you have seen in advance. No surprises on set.
First cut, one round of notes, then final grade, sound and every version you need.